The X-men run missions and work together with the NYPD, striving to maintain a peaceful balance between humans and mutants. When it comes to a fight, they won't back down from protecting those who need their help.
Haven presents itself as a humanitarian organization for activists, leaders, and high society, yet mutants are the secret leaders working to protect and serve their kind. Behind the scenes they bring their goals into reality.
From the time when mutants became known to the world, SUPER was founded as a black-ops division of the CIA in an attempt to classify, observe, and learn more about this new and rising threat.
The Syndicate works to help bring mutantkind to the forefront of the world. They work from the shadows, a beacon of hope for mutants, but a bane to mankind. With their guiding hand, humanity will finally find extinction.
Since the existence of mutants was first revealed in the nineties, the world has become a changed place. Whether they're genetic misfits or the next stage in humanity's evolution, there's no denying their growing numbers, especially in hubs like New York City. The NYPD has a division devoted to mutant related crimes. Super-powered vigilantes help to maintain the peace. Those who style themselves as Homo Superior work to tear society apart for rebuilding in their own image.
MRO is an intermediate to advanced writing level original character, original plot X-Men RPG. We've been open and active since October of 2005. You can play as a mutant, human, or Adapted— one of the rare humans who nullify mutant powers by their very existence. Goodies, baddies, and neutrals are all welcome.
Short Term Plots:Are They Coming for You?
There have been whispers on the streets lately of a boogeyman... mutant and humans, young and old, all have been targets of trafficking.
The Fountain of Youth
A chemical serum has been released that's shaving a few years off of the population. In some cases, found to be temporary, and in others...?
MRO MOVES WITH CURRENT TIME: What month and year it is now in real life, it's the same for MRO, too.
Fuegogrande: "Fuegogrande" player of The Ranger, Ion, Rhia, and Null
Neopolitan: "Aly" player of Rebecca Grey, Stephanie Graves, Marisol Cervantes, Vanessa Bookman, Chrysanthemum Van Hart, Sabine Sang, Eupraxia
Ongoing Plots
Magic and Mystics
After the events of the 2020 Harvest Moon and the following Winter Solstice, magic has started manifesting in the MROvere! With the efforts of the Welldrinker Cult, people are being converted into Mystics, a species of people genetically disposed to be great conduits for magical energy.
The Welldrinker Cult
A shadowy group is gaining power, drawing in people who are curious, vulnerable, or malicious, and turning them into Mystics. They are recruiting people into their ranks to spread the influence of magic in the world, but for what end goal?
Are They Coming for You?
There have been whispers on the streets lately of a boogeyman... mutant and humans, young and old, all have been targets of trafficking.
Adapteds
What if the human race began to adapt to the mutant threat? What if the human race changed ever so subtly... without the x-gene.
Atlanteans
The lost city of Atlantis has been found! Refugees from this undersea mutant dystopia have started to filter in to New York as citizens and businessfolk. You may make one as a player character of run into one on the street.
Got a plot in mind?
MRO plots are player-created the Mods facilitate and organize the big ones, but we get the ideas from you. Do you have a plot in mind, and want to know whether it needs Mod approval? Check out our plot guidelines.
It was James' idea to leave the calling card behind. If they were going to do this, they were going to do it right. They weren't doing this for sport or kicks or vengeance: they were doing this to save lives. One mutant life gone; who knows how many human lives saved, because of it.
The calling card was a black fedora hat, set over the mutie's face, covering the final bullet wound. Tucked under the brim of the hat was the freak's pedigree, typed onto a folded white piece of standard-sized paper in 12-font Times New Roman. Single-spaced. Black ink. The freak's name was Lawrence Barry. That wasn't how they identified him on the pedigree. Telekinetic--that was all the name he deserved.
Telekinetic
Murderer of Karen Lawson Donaldson, human, age 25.
"It was an accident," the freak had whispered, up on the roof--"I didn't mean to." He didn't seem to understand that nothing he said could change what he'd done. "I loved her."
They'd debated, back at Rupert's apartment, whether to add 'She will be missed' to the note. They'd decided against it--the less stating of the obvious they did, the better. She would be missed; of course she would. There was one thing they both agreed on, though: that she would be Karen Lawson Donaldson, not Karen Lawson Barry.
It had been James' last crime scene with the NYPD. A domestic dispute: every cop's most dreaded call. You walk in on a domestic dispute, and you never know what you're getting into. You walk in on a domestic dispute, and no one in that house is going to be on your side. It was asking to get screamed at, clawed at, shot at; even if you found a woman beaten half-senseless and dragged her man off to jail, the next morning she would be in the station, cursing you out as she bailed his apologetic arse out. "It was an accident--you know I would never hit you on purpose; I just got worked up. I didn't mean to, honey--I'll never do it again. I love you; you know I love you." Love was the worst excuse in the world. Lawrence Barry had spent the night in jail three times over the past two years. His wife had been to the emergency room, twice. She'd never pressed charges, and she'd always been there in the morning to bail him out, her bruises still that angry red that would blossom into deathly black. Each time, they'd made a scene in the station, as the officers on duty averted their eyes. "It was an accident; I didn't mean to; I love you," he would say, hugging her tightly as soon as he was out of the cell. "I know; I'm sorry; I love you, too," she would answer, hugging him back and taking in a deep breath, like he the very air she breathed.
Lawrence Barry was a wife beater and an alcoholic. He was also a telekinetic mutant. Most assholes of his caliber liked to shout, "I've never laid a hand on her!"--Lawrence Barry was one of the few who could say it honestly. No, he'd never laid a hand on her. That didn't stop the bruises from rising, though. And it didn't stop the shattering of glass that had woken up their next door neighbor, or the sickening thump against the ground below that had gotten called in to the police. Lawrence Barry was long gone from the apartment by the time the sirens drew near. And Karen Lawson Barry--maiden name Donaldson--was long dead.
Posted by Rupert Kelley on Nov 25, 2008 1:34:42 GMT -6
Haven
Member of Haven
Bi
822
9
Aug 29, 2018 17:15:00 GMT -6
Calley
They'd planned it out at Rupert's kitchen table, as a tray of peanut butter chip cookies cooled on the countertop next to them, out of reach of a poodle mutt who was longingly staring up at them. Not out of reach of James Delray, though. His hand drifted... drifted...
"Those are about three hundred and fifty degrees, James." Rupert stated, as a fact. "The chips are molten. But really, go right ahead."
James wordlessly withdrew his hand, and tapped at the well-loved map that was spread flat on the table in front of them; as flat as its wrinkles would allow it to go, anyway. "One of Brown's contacts spotted the guy hiding around here; he thinks the freak is laying low with a friend."
Rupert frowned, taking a sip of his coffee. "Mutant? Human?"
"Human, as far as the contact knows." Flipsy whined on the ground, her nose pointed straight up. The counter was very far away, for a mini-poodle. James reached down, and gave her a scratch behind the ears. That wasn't what the poodle was going for. "He works the night shift Tuesday through Saturday. So far, Barry's just been laying low while he's gone. It's perfect."
"How much of this has Brown reported to the Detectives in charge?" Rupert asked, already knowing the answer.
James' mouth twitched into a smile; the scar through his lips gave a hideous, lurching wink. "None of it. It's your old partner on the case--the lovely Detective Cassandra Elliot, in all her bleeding-heart glory, with some newly promoted kid in tow."
Rupert gave a snort. Flipsy trotted over to his foot and sat down, her large eyes gazing imploringly upwards as her tail gave a long-suffering wag. Rupert idly lifted up a foot, and gave her tan head a rub with a plaid-socked toe. Flipsy's tail came to a you-have-to-be-kidding-me stop. "So Brown's on our side?"
James gave a shake of his head, his scar twisted into an amused line. "Rup, everyone's on our side."
"Right up until we screw up, and leave evidence they can't ignore." Rupert stated.
James gave a half-shrug. "So we don't screw up. We were cops for how long, Rup? I think we know a little about leaving evidence." James' hand started an unconscious drift back towards the cookies. Flipsy's ears perked. "As long as we don't leave anything blatant, no one's going to bring up our names. They're behind us unless we slap them in the face with it."
"The calling card is a stupid idea," Rupert pointed out, again.
"The calling card is what makes it more than a murder. The calling card is what makes us vigilantes."
Rupert gave a rub at one temple. "I never thought I'd be hearing that as a good thing. For one thing, the card is going to link the crimes together. For another, they're going to be easy to trace--how many stores do you think there are that carry fedora hats?"
"Haven't been keeping up with teenage counter-culture, have you, Rup? You can get those things everywhere. And we want the crimes linked, don't we? We want the freaks to know that there's someone out there who isn't just huddling in terror as they--ouch!" James jerked back his hand, shoving his fingers in his mouth. One lone cookie started a path towards the floor, in slow motion. Two feet above the ground, a poodle's teeth arced gracefully up to meet it: perfect form. Catch! She hit the ground running at full speed, to the safety of her pink dog bed. As she settled down with the cookie on top of her paws, her paranoid eyes narrowed for signs of pursuit. None. With a royally entitled greed, she devoured the cookie in three snaps. Some things were worth getting first degree burns on the roof of your mouth for. Her owner's peanut butter cookies were one of those things. That foolish human with the scar simply did not have the willpower; he was not worthy of them. Not like the poodle mutt. Flipsy licked at her paws for crumbs as the humans continued their unimportant talk.
Posted by Rupert Kelley on Nov 25, 2008 1:34:51 GMT -6
Haven
Member of Haven
Bi
822
9
Aug 29, 2018 17:15:00 GMT -6
Calley
Rupert placed the hat over the freak's face, covering the final bullet wound. If his eyes weren't glassy like that, and his mouth wasn't half-open with the same intelligent look he'd had in life, Lawrence Barry could have just been sleeping. Right. Behind him, James Delray gasped in his first breath in over a minute. Coughed. Gasped again. In his hand was a Swiss army knife Rupert had hurriedly tossed his way, once the freak was down. On the ground were the raggedly hacked remains of a classy red tie. James dramatically collapsed on his back on the pebbled roof, arms spread-eagle, as he continued his fish-on-land imitation. "Clip--" he coughed; "Clip-on ties, Rupert. We are investing in mother ****ing clip-on ties."
They had literally walked to the apartment building wearing their own nooses. Lawrence Barry had illustrated that point, quite neatly. Rupert had gone quietly up the fire escape; James had gone to the door marked 305, and knocked. They were both wearing suits. Rupert was comfortable in his, from day after day of breaking it in as a Detective. James, used to his beat officer uniform, looked like what he was: a man dressed up in a suit. It wasn't the same suit he'd worn to his wedding, even though that was the only suit he actually owned. It was one of Rupert's. They were the same size, and Rup didn't have a new wife who was liable to notice bloodstains or dry-cleaning bills. On that first hit, they had no real idea that this would become their uniform. On that first hit, they just felt like they should look respectable. They were going to kill a mutant. Not to talk to it, not to arrest it: to kill it. They'd known many men and women who had been murdered while having far more innocent intentions in mind. If they were going to die tonight, then it went without saying that they would do it with dignity. They were dressed for their own funerals.
James raised up a black gloved hand, and knocked on the door. He didn't hear the man on the inside creep over to peer through the peephole. He did hear the sudden rush as the man sprinted across the apartment for the fire escape. Another bonus of the suits: it really helped to instill that 'here to arrest you' fear. That wasn't what the mutant should be worried about, but they'd been counting on exploiting it.
Rupert greeted the man as he tumbled out of the window. The gun gave a soft cough through its silencer; the bullet stopped in mid-air an inch from the mutant's dazed face. Bleary eyes, red lines tracing through their whites, gave a slow blink as something was pieced together behind them: "You're not the cops," Lawrence Barry said.
Rupert answered with a move a little freak named Tarin was familiar with: a pistol whip. The freak didn't block it. Then again, there wasn't any need to block it when your best defense was a good offense. Rupert's back hit the metal railing of the fire escape with a wuff of forced-out air.
Cough.
Another soft, innocuous sound. The third that night, though only James had heard the one that took care of the lock on the apartment door. Rupert saw the telekinetic's eyes go wide, as a spot of red bloomed through the white T-shirt over his left shoulder. He didn't scream, or shout. That was nice. He did wheel around and throw out a hand: inside of the apartment, James' back made its own acquaintance with a coffee table. The coffee table lost. The telekinetic didn't wait to see how soon his pursuers would be back on their feet. He turned, and ran away from Rupert: up the fire escape. Gorgeous. Rupert hauled himself back up to his feet with a wheeze. "You alive in there?" He called softly, through the window.
"Yeah," James coughed, rolling out of the wood splinters and back to his feet. "Thanks for that overwhelming concern. Did I hit him?"
"You hit him."
"Which way'd he run?"
"Up."
Up: it was a lot more convenient than down. Down, they might have lost the guy on the streets. Up? A lot less likely, unless Lawrence Barry had learned how to fly since his last run-in with the police. Up wasn't too friendly on a man with a limp and scar through his lung, though. Rupert was a full flight behind James when another cough sounded. And then, with understated eloquence, James came to a dead stop where he stood, right at the top of the fire escape's final step. His gun arm swung out wide to the side: the fingers shook as they were uncurled, one by one, from their death grip on the pistol. It clattered harmlessly to the pebble rooftop. James' head snapped back. His feet kicked; that's when Rupert realized that his friend wasn't touching the ground anymore. James Delray was wearing a classy red tie. One of Rupert's favorites, actually. Its red length was currently stretched out into the air above James' neck, held taunt with the weight of the man. It was a good tie. It wasn't likely to break over something as little as a life.
Rupert edged his sights above that last step, as James' legs kicked in front of him. He took the shot.
Cough.
Lawrence Barry and James Delray dropped at the same time. Rupert tossed James his keys, complete with Swiss army knife keychain, as the scarred man wordlessly clawed at the fabric that was still digging into his skin. Then he strode past him, to the freak.
It was still alive. Its eyes were wide, and already glassing. "W-hy? Who...?"
"For Karen," Rupert answered the first question. The man didn't need that second answer where he was going.
Pain flashed through the freak's gaze; pain unrelated to the shot in his shoulder, or his gut. "I didn't mean to. It was an accident."
"It doesn't matter." Rupert said, lining up the shot.
"I loved her."
"It doesn't matter."
Rupert squeezed the trigger. Lawrence Barry's neck gave a reflexive jerk, as a red dot opened up on his forehead. Gunshots always looked so small from the front. Rupert dug the crumpled hat and the neatly folded note out of his pockets; gave the hat a few shakes, to get it back in order. Tucked the note in its band. Then he crouched down, and set it over the mutant's face, covering that final wound.
Telekinetic
Murderer of Karen Lawson Donaldson, human, age 25.
Behind him, James Delray was past the life-saving gasps, and into the melodramatic ones. He flopped back onto the pebbles of the roof.
"Clip--" he coughed; "Clip-on ties, Rupert. We are investing in mother ****ing clip-on ties."
Rupert stared down at the black hat, with its white note. Lawrence Barry had a brown stain at the bottom of his white T-shirt, like he'd used it to wipe his mouth. He was wearing a pair of red checkered boxers; no pants. Now that was a man who was not dressed to die. Rupert put his gun away, straightened out his suit coat, and turned back to the wheezing James. "Huh," he said simply, smile quirking at the corner of his mouth. "You're still alive?"
James lifted his left hand off of the roof, back pointed towards Rupert. He let one concise finger do the talking for him.